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| Autor/in | Labidi, Abid Larbi |
|---|---|
| Titel | Dismantling the Prison-House of Colonial History in a Selection of Michelle Cliff's Texts |
| Quelle | In: Advances in Language and Literary Studies, 7 (2016) 5, S.64-69 (6 Seiten)
PDF als Volltext kostenfreie Datei |
| Sprache | englisch |
| Dokumenttyp | gedruckt; online; Zeitschriftenaufsatz |
| ISSN | 2203-4714 |
| Schlagwörter | Foreign Policy; Authors; Foreign Countries; Females; Disadvantaged; Slavery; Oral Tradition; Story Telling; Victims; Blacks; Fiction; Memory; History; Jamaica |
| Abstract | Most, if not all, writings by Jamaican writer Michelle Cliff are connected by a subterranean desire to re-write Afro-Caribbean history from new untold perspectives in reaction to the immense loss and/or distortions that marked the region's history for entire centuries. In this paper, I meticulously read four of Cliff's texts--"Abeng" (1984), its sequel "No Telephone to Heaven" (1987), "Claiming an Identity They Taught Me to Despise" (1980) and "The Land of Look Behind" (1985)--to look at how Cliff retrieves her black ancestors' submerged history and erased past. I particularly explore the methods Cliff deploys to re-center a history deliberately erased/or distorted by what she ironically calls "the official version" ("Free Enterprise," 1994, p. 138) in allusion to the Eurocentric narratives about the twin imperial projects of slavery and colonialism. Finally, I investigate the wealth of possibilities offered by fiction, unrecorded memory, oral story-telling and imagination to out-tell Eurocentric historiography and re-write Afro-Caribbean history from the victims' perspective: slaves, colonial subjects, marginalized female figures, black Diasporic characters, etc. (As Provided). |
| Anmerkungen | Australian International Academic Centre PTY, LTD. 11 Souter Crescent, Footscray VIC, Australia 3011. Tel: +61-3-9028-6880; e-mail: editor.alls@aiac.org.au; Web site: http://journals.aiac.org.au/index.php/alls/index |
| Erfasst von | ERIC (Education Resources Information Center), Washington, DC |
| Update | 2020/1/01 |
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