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Autor/inn/enTaylor, J. Eric T.; Witt, Jessica K.; Grimaldi, Phillip J.
TitelUncovering the Connection between Artist and Audience: Viewing Painted Brushstrokes Evokes Corresponding Action Representations in the Observer
QuelleIn: Cognition, 125 (2012) 1, S.26-36 (11 Seiten)Infoseite zur Zeitschrift
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Spracheenglisch
Dokumenttypgedruckt; online; Zeitschriftenaufsatz
ISSN0010-0277
DOI10.1016/j.cognition.2012.06.012
SchlagwörterEvidence; Audiences; Artists; Painting (Visual Arts); Psychomotor Skills; Experiments; Simulation; Observation; Correlation; Action Research; Cognitive Science; Task Analysis; Cognitive Processes
AbstractObserved actions are covertly and involuntarily simulated within the observer's motor system. It has been argued that simulation is involved in processing abstract, gestural paintings, as the artist's movements can be simulated by observing static brushstrokes. Though this argument is grounded in theory, empirical research has yet to examine the claim. Five experiments are described wherein participants executed arm movements resembling the act of painting horizontal brushstrokes while observing paintings featuring broad, discernable brushstrokes. Participants responded faster when their movement was compatible with the observed brushstrokes, even though the paintings were irrelevant to their task. Additional results suggest that this effect occurs outside of awareness. These results provide evidence that observers can simulate the actions of the painter by simply observing the painting, revealing a connection between artist and audience hitherto undemonstrated by cognitive science. (Contains 8 figures.) (As Provided).
AnmerkungenElsevier. 6277 Sea Harbor Drive, Orlando, FL 32887-4800. Tel: 877-839-7126; Tel: 407-345-4020; Fax: 407-363-1354; e-mail: usjcs@elsevier.com; Web site: http://www.elsevier.com
Erfasst vonERIC (Education Resources Information Center), Washington, DC
Update2017/4/10
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