Atarraya: Listening to Human and Non-Human Voices in Post-Conflict Colombia

Autor/in	Ochoa Ronderos, Manuela
Titel	Atarraya: Listening to Human and Non-Human Voices in Post-Conflict Colombia
Quelle	In: Research in Drama Education, 28 (2023) 1, S.28-43 (16 Seiten)Infoseite zur Zeitschrift PDF als Volltext Verfügbarkeit
Sprache	englisch
Dokumenttyp	gedruckt; online; Zeitschriftenaufsatz
ISSN	1356-9783
DOI	10.1080/13569783.2023.2170222
Schlagwörter	Foreign Countries; Mining; Oral History; Drama; Listening; Social Problems; Justice; Audience Participation; Colombia + Suchen Sie Ihr Suchwort? Ausland; Abbau; Oral tradition; Mündliche Überlieferung; Schauspiel; Hörvorgang; Zuhören; Social problem; Soziales Problem; Gerechtigkeit; Viewer commitment; Zuschauerbeteiligung; Kolumbien
Abstract	This article focuses on "Atarraya," a participatory performance piece by Carolina Caycedo in collaboration with a group of social organisations affected by hydroelectric and mining megaprojects in Colombia. It argues that oral history-informed art practices offer an alternative space to communicate painful experiences and demand better futures, engaging broader and more diverse audiences. By analyzing the performative elements of "Atarraya," such as the inclusion of human and non-human voices, the article shows how in the face of the transitional justice system in Colombia, it is necessary to understand "listening" as a critical component of oral history-informed performance. (As Provided).
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Erfasst von	ERIC (Education Resources Information Center), Washington, DC
Update	2024/1/01