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| Autor/in | Good-Perkins, Emily |
|---|---|
| Titel | Culturally Sustaining Music Education and Epistemic Travel |
| Quelle | In: Philosophy of Music Education Review, 29 (2021) 1, S.47-66 (20 Seiten)Infoseite zur Zeitschrift
PDF als Volltext |
| Sprache | englisch |
| Dokumenttyp | gedruckt; online; Zeitschriftenaufsatz |
| ISSN | 1063-5734 |
| Schlagwörter | Music Education; Culturally Relevant Education; Racial Bias; Ethnicity; Social Justice; Minority Group Students; Equal Education; Power Structure; Foreign Policy; Elementary Secondary Education; Singing; Social Bias; Classroom Techniques; Cultural Maintenance |
| Abstract | The examination of racist, normalized ideology within American education is not new. Theoretical and practical conceptions of social justice in education have attempted to attend to educational inequality. Oftentimes, these attempts have reinstated the status quo because they were framed within the same Eurocentric paradigm. To address this, Django Paris proposed culturally sustaining pedagogy as a means of empowering minoritized students by sustaining the cultural competence of their communities and dismantling coloniality within educational practices. He, Michael Domínguez, and others argue that epistemic expansion is imperative for equitizing educational spaces and closing the ontological distance between teachers and students. Drawing from their work as well as scholarship from the fields of educational policy, urban education, Afrocentrism, and Indigenous studies, this paper seeks to expand the discussion about culturally relevant and responsive music education to account for students' musical epistemologies and the ways in which "epistemic travel" might inform normalized musical practices. (As Provided). |
| Anmerkungen | Indiana University Press. 601 North Morton Street, Bloomington, IN 47404. Tel: 800-842-6796; Tel: 812-855-8817; Fax: 812-855-7931; e-mail: iuporder@indiana.edu; Web site: https://iupress.org/journals/pmer/ |
| Erfasst von | ERIC (Education Resources Information Center), Washington, DC |
| Update | 2024/1/01 |
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