Identity and Citizenship in Hong Kong: A Theoretical Reflection Using Chinese Landscape Painting

Autor/in	Tu, Derrick
Titel	Identity and Citizenship in Hong Kong: A Theoretical Reflection Using Chinese Landscape Painting
Quelle	In: Chinese Education & Society, 53 (2020) 1-2, S.47-56 (10 Seiten)Infoseite zur Zeitschrift PDF als Volltext Verfügbarkeit
Sprache	englisch
Dokumenttyp	gedruckt; online; Zeitschriftenaufsatz
ISSN	1061-1932
DOI	10.1080/10611932.2020.1716616
Schlagwörter	Painting (Visual Arts); Self Concept; Citizenship; History; Foreign Countries; Artists; Futures (of Society); Hong Kong; China + Suchen Sie Ihr Suchwort? Malerei; Selbstkonzept; Staatsbürgerschaft; Geschichte; Geschichtsdarstellung; Ausland; Artiste; Artist; Künstler; Künstlerin; Future; Society; Zukunft; Hongkong
Abstract	In this paper, I examine Hong Kong's identity and citizenship through the Chinese landscape painting, "Mountain Palace", by Dong Yuan. Specifically, I ask: how can a reading of "Mountain Palace" using Jullien's concepts of presence and absence provide insights into current issues of identity and citizenship in Hong Kong? I argue that citizenship is not a static identity but a manifestation of historical processes in a constant state of becoming. Rather than focusing on political tensions or recolonization, I suggest that Hong Kong is already part of Mainland China, but its unique identity needs to be recognized. (As Provided).
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Erfasst von	ERIC (Education Resources Information Center), Washington, DC
Update	2024/1/01