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Autor/inClark, Barbara A.
TitelAesthetic Education and Masked Emotions: A Model for Emancipatory Teacher Preparation
QuelleIn: Critical Questions in Education, 1 (2010) 1, S.40-50 (11 Seiten)
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Spracheenglisch
Dokumenttypgedruckt; online; Zeitschriftenaufsatz
ISSN2327-3607
SchlagwörterAesthetic Education; Preservice Teacher Education; Preservice Teachers; Painting (Visual Arts); Museums; Critical Thinking; Visual Perception; Psychological Patterns; Individual Development; Poetry; Elementary Education
AbstractAccording to Maxine Greene (1988), aesthetic education is "integral to the development of persons--to their cognitive, perceptual, emotional, and imaginative development" (p. 7). The purpose of this paper is to present the developing sense of self that pre-service teachers experienced through an aesthetic entry point, the 9/11 mural by Graydon Parrish entitled, "The Cycle of Terror and Tragedy/" Pre-service teachers explored the psychosocial theories that Erikson (1963) outlined in the course text by Woolfolk (2008) while viewing the 9/11 mural. Greene's (2001) research on aesthetic education and Perkins' (1994) research on visual thinking structured and supported the aesthetic experience, thereby providing a foundation to begin thinking deeply about the psychosocial theory of Erikson when facing the expansive allegorical mural by Parrish. The museum arena in which the mural was displayed provided a community space for pre-service teachers to think critically with one another. This kind of structured aesthetic experience can be key to an emancipatory form of teacher preparation. (ERIC).
AnmerkungenAcademy for Educational Studies. 2419 Berkeley Street, Springfield, MO 65804. Tel: 417-299-1560; e-mail: cqieeditors@gmail.com; Web site: http://academyforeducationalstudies.org
Erfasst vonERIC (Education Resources Information Center), Washington, DC
Update2017/4/10
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