Literaturnachweis - Detailanzeige
Sonst. Personen | Nonhoff, Martin (Hrsg.); Bunzmann, Katharina (Hrsg.); Angermüller, Johannes (Hrsg.) |
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Titel | PostModern productions. Gefälligkeitsübersetzung: PostModerne Produktionen. |
Quelle | (2001), 169 S. |
Reihe | Discursive productions. Text - culture - society. 3 |
Zusatzinformation | Inhaltsverzeichnis |
Sprache | englisch |
Dokumenttyp | gedruckt; Monographie |
ISBN | 3-8258-5762-X |
Schlagwörter | Kultur; Postmoderne; Identität; Kommunikation; Differenzierung; Humor; Marginalisierung; Technologie; Ungleichheit; Antikapitalismus; Rassismus; Globalisierung; Architektur; Hochschule; Krise; Produktion; Publikation; Repräsentation; Goethe, Johann Wolfgang von; Hegel, Georg Wilhelm Friedrich; China; Hongkong |
Abstract | "This collection of essays interrogates the processes of production and commodification. Writing from a diverse range of perspectives, the authors explore issues of political, cultural and academic production in a postmodern context. These essays trace the ways in which we produce our material life, culture, literature and architecture. The authors explore how these link up to questions of collective image and identity." (author's abstract). Contents: Martin Nonhoff: PostModern Productions: Introduction (3-12); Stephen Shapiro: No Logo: Globalization and the New Anti-capitalism (13-26); Jung Min Choi and John W. Murphy: A Postmodern Critique of Neoliberalism (27-40); Margit Fauser and Benjamin Schwenn: The Dialectics of Marginalisation: lnequality and Difference (41-54); Eric Vogt: Re-marking Racism (55-68); Maria José M. Ferreira: Globalizing Technologies and Academic Publishing (69-82); Mary Anne Franks: Obscene Supplements, Or, What We Write about When We Write about Death (83-88); Maria Luisa Ochoa: Performing Cultural Identity in Dolores Prida's 'Coser y Cantar' (89-100); Wang Jianping: Memory and Narration in Maxine Hong Kingston's China Narratives (101-110); Jaroslav Kusnir: Richard Brautigan's and Donald Barthelme's Depiction of the Crisis of Representation and Popular Culture (111-122); Adrian Mihalache: "Zum Sehen Geboren": Cyber-Lust in Goethe's 'Faust' (123-130); Agnes Zsófia Kovßcs: Henry James and Postmodernism (131-146); Lara Schrijver: The Power of Lightness: Humor As a Method of Critique in Architecture and the Visual Arts (147-160). |
Erfasst von | GESIS - Leibniz-Institut für Sozialwissenschaften, Mannheim |
Update | 2010/1 |