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Autor/inCarroll, Noel
TitelArt and Recollection
QuelleIn: Journal of Aesthetic Education, 39 (2005) 2, S.1-12 (12 Seiten)Infoseite zur Zeitschrift
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Spracheenglisch
Dokumenttypgedruckt; online; Zeitschriftenaufsatz
ISSN0021-8510
SchlagwörterArt; Aesthetics; Role; Theories
AbstractModern aesthetic theory maintains that a work is an artwork if it is intended to afford aesthetic experiences that are valuable for their own sake. The author claims that such a definition eliminates from art most of the poetry, novels, films, and music that have been produced in the world. The author examines several responses to his claim from aesthetic theory, particularly that (1) art affords aesthetic experience better than any other practice affords it, and (2) affording aesthetic experience is what art does best. The author rebuts the first response by noting the aesthetic power of the appreciation of nature. Against the second, he postulates that what art does best is to enculturate. Examples cited of this function range from the ancient Greek memorial to Marathon to the Lincoln Memorial. It should be noted that this important enculturating function does not preclude other functions, such as celebrating strength and fostering healing. Furthermore, these functions of social utility do not eliminate the aesthetic function. However, modernism's aesthetic theories, which have disconnected art from social functions, need to be reevaluated. A new theory that embeds art in wider social projects would benefit society, art, and aesthetics. (Author).
AnmerkungenUniversity of Illinois Press, 1325 S. Oak Street, Champaign, IL 61820. Tel: 217-333-0950; Fax: 217-244-8082; e-mail: uipress@uillinois.edu.
Erfasst vonERIC (Education Resources Information Center), Washington, DC
Update2017/4/10
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