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Sonst. PersonenSzczepaniak, Renata (Hrsg.)
TitelMedia convergence - approaches and experiences.
Aftermath of the "Media convergence - Konwergencja Mediów - Medienkonvergenz" Conference, Jesuit University "Ignatianum", Cracow, Poland, 17 - 18 March 2011.
Gefälligkeitsübersetzung: Medienkonvergenz. Ansätze und Erfahrungen. Verhandlungen der Konferenz "Medienkonvergenz - Konwergenzija Mediow", Jesuitische Universität "Ignatianum", Krakow, Polen 17.-18. März 2011.
QuelleFrankfurt, Main: P. Lang (2013), 281 S.Verfügbarkeit 
Spracheenglisch
Dokumenttypgedruckt; Monographie
ISBN978-3-631-63978-8
SchlagwörterKultur; Interdisziplinäre Forschung; Film; Medien; Medienkompetenz; Medienpädagogik; Unterhaltung; Spiel; Kunst; Konvergenz; Theater; Konferenzschrift; Narration
Abstract"The articles collected in this volume encompass the outcomes of the conference 'Media Convergence - Konwergencja Mediów - Medienkonvergenz', held at the Jesuit University Ignatianum in Cracow in March 2011. The Conference was organized by the Chair of Media and Social Communication of the Institute of Cultural Studies, founded in 2005. The aim of this interdisciplinary meeting of scholars from European academie centers was an attempt to answer the question what the phenomenon of convergence really is with regard to media, and how the permeation of media phenomena influences contemporary culture. The two-day debate included thematic blocks on literature and art, film, education, theater communication, and media communication." (publisher's description). Content: Mateusz Niec: A brief look at the history of media convergence (17-28); Jerzy Mikulowski Pomorski: Media in the convergentive reading (29-46); Miroslaw Lakomy: Media mix - the essence of convergence (47-54); Christoph Blasi: The book - civilizing forerunner and media convergence latecomer. Phenomena, challenges and a suitable research infrastructure (55-68); Radoslaw Aksamit: Intermediality and the rejection of media by the receivers (69-88); Renata Szczepaniak: Social web: (inter)cultural communication via the Internet. Exemplified by Polish and German experiences (89-96); Lilianna Dorak- Wojakowska: The virtual reality of theatre according to Samuel Weber (99-108); Kinga Anna Gajda: Photo theatre - norm-breaking encounters between theatre and 'reality'. Polish examples - Magda Hueckel (109-116); Anna Kawalec: The identity of the theater in the world of media 'mix' (117-132); Wojciech Baluch: Multimedia quality as a new aesthetics in modern culture on the example of new polish drama (133-139); Piotr Kletowski: Wagnerian's idea of Gesamtkunstwerk as the matrix of the cinematographic art and its influence in creating the present operatic art (143-150); Urszula Tes: Cultural context of the film Angelas by Lech Majewski (151-159); Maciej Bialas: Visualising the aural (163-174); Monika Biaiek: Photocasts - radio provided with eyesight (177-187); Michael Bachmann: Unpast media? Nostalgia and the culture of media convergence (191-198); Antoni Porczak: 'The media bunga-bunga'. Bunga-bunga moves the stress on perception from the eye to the entire body, i.e. multi-sensorial participation in the party (199-206); Malgorzata Wieczkowska: The community of manga and anime fans - a new type of subculture in Poland (207-216); Anna Nacher: We Tell Stories - storytelling in the age of media convergence (219-230); Martyna Harland: Storytelling in brand creation: verbal and visual narration in the reception of print advertisements (233-240); Iwona Nowakowska-Kempna, Sandra Camm: Scene construction in advertisement messages and mimetic media convergence (241-251); Anna Dabrowska: Media literacy in Poland (255-264); Renata Kowalczyk: The texts of cultural and intertextual games in media education (265-281).
Erfasst vonGESIS - Leibniz-Institut für Sozialwissenschaften, Mannheim
Update2014/2
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